The Extra's Rise

Chapter 933: Silver Bastion



Our work on the moon was done—for now.

We left Tycho with crews in steady rhythms, Redeemer pylons breathing their quiet light, and the crater's bad hum down to background noise. On the warp back to Valdris I kept my eyes open and my hands still. It's easy to call a job finished and miss the piece that bites you later. Nothing bit. Good.

By the time I hit Ouroboros HQ, Elias already had the preliminary budget model spinning above the long table.

"So this is why you've been hoarding every spare coin," he said, eyes flicking through columns and projections.

"Yes," I said. "Because this is going to eat them all and ask for dessert."

He grinned despite himself. "If it works, it's worth it."

"It has to work," I said, and brought up the second hologram.

Not a pretty base. A stubborn one.

Three rings. Inner, middle, outer. Everything else hangs off those.

"Inner ring is the spine," I said. "Pressurized caverns we already own under Tycho, expanded and hardened. Medical, power, command, life support, food, quarters, workshops. If you cut us in half, this is the half that survives and grows back."

Elias zoomed the model and whistled softly. "You want triple redundancy on life support?"

"I want quintuple," I said. "But I'll take triple with a manual bypass Rachel can teach a child. Power stays mixed: Aetherite cores, solar farms on the rim, and a crankable backup that looks stupid until it saves lives."

"Noted," he said, already typing.

"Middle ring is the shield," I went on. "Ward lattice keyed to human biometrics and allied signatures. No fancy tricks. It blocks, it bleeds pressure, it shrugs off corrosion. Redeemer obelisks at thirteen points, not twelve—Rachel's numbers hold better that way. Hymn cannons in bunkers, muzzle discipline strict. The lattice ties into early-warning arrays on the far side and the poles. If a hole tries to open where it shouldn't, the floor says no."

"And the outer ring?" Elias asked, though he'd already guessed.

"Teeth," I said. "Point-defense, interceptor bays, bone and steel. We anchor four launch wells for emergency evac and four for rapid response. We seed dust-anchors around Tycho's lip—old-world iron, new-world song—so the ground itself resists being rewritten. We establish a perimeter minefield keyed to miasma density, not motion; demons will learn the pattern, but they'll bleed learning it."

He nodded slowly. "And garrison?"

"Rotating," I said. "Mixed continental units under one doctrine. Redeemers, ward engineers, med corps, a flight wing, and a small standing cohort that belongs to the Moon and no one else. Erebus can hold a gate two steps away—on call, not camping."

"Luna?" he asked.

"She's offered to seed Purelight anchors at the poles," I said. "We take that help and write our parts so we don't lean on it."

Elias pushed the model wider. "Funding?"

"Ouroboros carries the spine," I said. "The five continents cover the shield as a shared cost. The Seven give us materials and patterns in kind—no secrets we haven't already signed for." I tapped a smaller diagram: seven names around a circle. "Oversight board of seven: South (Viserion), North (Windward/Creighton joint seat), West (Ashbluff), East (Mount Hua/Kagu joint seat), Central (Slatemark), one seat for the Concord—Lyra's choice—and one for Ouroboros to keep the ledger honest."

He smiled. "And you call it…?"

"Silver Bastion," I said. "Everyone else will call it 'the Moon' and that's fine. But the paperwork needs a spine."

He didn't argue. "Coordination?"

"You," I said. "Pick a project head as our face. You keep your hands on the rails. If a noble cousin tries to slide a cousin into logistics, you eject them from an airlock metaphorically and send me a note."

He bowed a little, half-mocking, half-earnest. "Understood, Guild Grandmaster."

He turned serious again. "Timelines?"

"Spine first," I said. "No point in teeth if the heart starves. Ward lattice phase-one in six weeks. Teeth come online as the shield hardens. We don't race the demons; we build so we don't have to."

"Suppliers?"

"South gives steel and discipline. North gives flight and cold-weather solutions. West brings fast-build modules and stubborn people. East brings craftsmen who make wards behave. Central brings money and lawyers and trains that run. The Concord sends what they promised: proofed pylons, wind-and-light shears, and three pages of math Seraphina already framed."

He laughed. "You make it sound simple."

"It's not," I said. "That's why you're here."

He closed the windows with a flick. "All right. I'll draft the call-outs and start making enemies. Anything else?"

"Two things," I said. "One: no hero plaques. We don't gild hallways while welders are still on ladders. Two: write me a room in the spine with a door that sticks a little so I remember what we're building for."

"I'll make sure the door sticks," he said, and the corner of his mouth tugged up. "I'll also make sure it opens."

He left the room at a clip that says the hard part is the fun part. I watched the empty doorway for a breath, then let my shoulders down.

Valeria made the tiniest vibration against my ribs. "This is good," she said—not words so much as approval shaped like one.

"We'll need you," I murmured. "A lot."

"I know," she answered, pleased.

A small knock. Not HQ knock. Home knock.

Stella slipped in like a conspirator, a slate clutched to her chest and a braid that never stays put already trying to escape.

"Daddy," she said, and the room changed shape around the word. "Are we making the Moon into a castle?"

"A stubborn one," I said, opening my arms. She barreled into me and hugged like she meant it. "Show me what you brought."

She bounced onto the chair beside mine and woke her slate. A clean diagram lit up, hand lines and neat numbers: three circles with dots on each, angles marked, arrows between.

"I made a coverage plan for the middle ring," she said in a rush. "If each Redeemer obelisk radiates safe field to distance d, but interference eats ten percent when two fields overlap by more than sixty degrees, then thirteen points give the fewest 'thin spots' if you arrange them in this pattern."

She showed me—thirteen-point circle, offset in a way that made sense the second she drew it.

"Why thirteen?" I asked, to make her explain it out loud.

"Because twelve is pretty but wrong," she said, very serious. "Thirteen lets you stagger the overlaps so the 'hungry places' can't form triangles big enough to chew through. Aunt Sera said the same thing with bigger words."

"She did," I said, ruffling her hair. "You two make an alarming team."

She preened. Then her mouth turned thoughtful. "Can we make a park?"

"A park?" I echoed, amused.

"In the spine," she said. "Tiny. Not silly. With a tree that grows in dust and a place to sit and a wall with circles on it for kids to touch so they know the Moon is theirs too."

I was quiet for a second. "Yes," I said. "We can make a park."

"Good," she said, satisfied. "Then people won't be scared when they have to live there."

"You think about the important parts," I said.

"I think about what makes my stomach untie," she said primly, then slid the slate to another page. "Also I made a name list and a flag. Silver Bastion is best, but 'Moon Pancake' is funny, and Aunt Ceci said we should have funny options to make meetings shorter."

I choked. "We'll, ah, table Moon Pancake for now."

She nodded in grave agreement. "Also, I wrote a schedule for the doors."

"The doors?" I asked, already smiling.

"So they stick a little," she said. "Not too much. Just enough to remember to be patient."

I leaned back and let myself enjoy the exact weight of the moment: a war room full of plans, a child with a slate and a brain that scared grown men, and a future that needed us to be boring and brave at the same time.

"Want to see the Moon again?" I asked. "Real one. Not the model."

She shook her head hard enough to threaten the braid. "No. Right now I want to see Aunt Rachel because she promised to teach me how to not burn tea."

"That's a noble art," I said solemnly. "We'll put it on the crest."

She hopped down, then paused and looked back up at me. "You're not going to go fight Alyssara today, right?"

"Not today," I said. "Today I make phone calls until people say yes and we pay welders."

"Good," she said. "Because you promised to help me make the park map and also to breathe steady."

"I did," I said, and meant both halves.

She darted out, calling something about triangles over her shoulder. The room felt quieter and warmer after.

I pulled the model back up and tagged three more items for Elias before I could talk myself into adding ten. My slate buzzed twice—Reika confirming a security roster that made me feel calmer, Rose attaching a clause that would keep VIPs from wandering into the wrong hallway and getting themselves added to a memorial.

I was sketching the outline of the park—small, honest, with a wall kids could touch—when the air on my left bent.

It didn't crack or flash. It was the clean kind of magic that looks like a page turning. The temperature dipped a degree. The scent of old storms and warmer seas slid into the room like memory.

Space folded and a woman stepped through.

Tiamat wore no crown and didn't need one. Dark hair, eyes that had seen empires and were more interested in whether your tea was good, posture that made rooms choose to stand up straighter. She let the fold close behind her with no fuss.

"Arthur," she said.

"Tiamat," I answered, moving to clear a chair that would be beneath her and then deciding she would ignore furniture anyway.

She looked once at the hovering rings—spine, shield, teeth—and the smallest quirk touched the corner of her mouth. Approval, earned, not given. Then her gaze found me.

"We need to talk," she said.

And the room remembered what the word "war" feels like.

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