Princess of the Void: An Alien Abduction Romance

Two more shifts pass.

He brings in more things for Batty. He brings her a map of Earth. She examines it with her head cocked.

"This is Earth. Uh, Home." He taps the paper. "Earth."

"Erf."

"What about you?" He points at her. "Batty home?"

"Taiikari."

He tries to pronounce it. She giggles at him. "Taiii karr eeee." She sounds it out.

"Taiikari," he says.

She nods. Her eyes flash. "Grantyde Batty home Taiikari."

"No, I'm Earth. Grantyde home Earth." He points at the floor.

She stares at him until he breaks eye contact with her. He isn't sure how to interpret her expression.

The next night, he brings her some crayons and paper that he slips through the two-way drawer. He draws her poorly. She draws him worse.

"I keep misremembering and thinking you have horns," he says.

She quirks an eyebrow. "Missermembering?"

"Being wrong. Uh, about horns." He mimics them with two fingers.

Her eyes widen and she shakes her head vigorously, covering her scalp. "No no no no." He taught her no and it's become one of her favorite words. "No horns."

He plays more music for her, but the first is still her favorite, the one she asks for at the end of every night. "Lonesome. Lonesome." She taps on the glass in time to her chanting demand. She's started singing along to it in her own language.

The fourteenth night of their friendship—if that's what this is—she demands an encore (via her preferred method of chanting). He plays again, standing up this time and kicking the beat quicker and jauntier, grooving like he's on stage. She laughs and dances with him on the other side of the glass.

He's out of breath by the time he's done. "All right, all right. I really do gotta go now." He shrugs the guitar strap off and unzips his gig bag. "Need to switch off the loop before anyone checks in."

"Grantyde."

He glances up from his instrument. His fingers halt on the zipper.

She's cupping one of her breasts as she looks at him. Her other hand lays flat on her stomach, its fingers kneading little divots into the softness of her lower tummy. The roof of his mouth immediately dries.

She hums the tune. Sings a gentle verse of it, replacing the words with the flowing syllables of her language.

"Lonesome," she murmurs.

Her fingers fan out against the glass.

He places his hand right over hers. They gaze at one another through the wall of her prison.

She does have horns. She definitely has horns. Maybe they come and go, but they're here right now. She sees where he's looking and color rushes to her cheeks. " No horns," she insists.

Her skin ripples, and she vanishes.

"Did you do this job before me?" he asks Drake. They're idling at the vending machine while they wait for the elevator, which is taking forever.

"Nah." Drake pops the tab on his coke. "I've done day shift a few times, or come in on assignment. But night shift, last guy bounced out for the same thing you talked about in the interview. Just couldn't hack the hours."

"Did he ever see B-31?"

Drake shakes his head. "Never did. You're the only night shift guy who has. Never thought I'd have to brief you on her."

"Why'd I see her, do you think?"

"It."

"Sorry."

Drake shrugs. "I wonder that, too. Wonder if you have any ideas."

Grant's grin dies when Drake's fails to appear. "I couldn't tell you."

"Well," Drake says. "Long as it doesn't get in the way, you're fine. You seen it again since?"

Grant thinks about Batty's straying fingers. The cushiony y-shape her thighs form when they press together. The delicate tuft of downy pubic hair nestling in it.

"Nope," he says.

The elevator dings.

Grant downloads a VPN and a private browser, and then chickens out.

He goes to the library and, feeling like a total dipshit, googles "how to whistleblow." A bunch of .gov sites and legal landing pages. Archer West works with the government. He doesn't think that'll work.

He goes down a rabbit hole of UFO and UAP sites. There's a lot of wingnut stuff on them. He thinks maybe he's got a hit on a story about itty-bitty invisible women with horns and tails, but the library firewall blocks it for suspected pornographic content. Fair enough.

It's past noon and the fatigue is hitting pretty hard. He heads home, back to his apartment. The cardboard from the unpacked shelves is still all over his floor. He still hasn't gotten around to bundling that. It just doesn't seem that important.

He draws in his blackout curtains and pops his earmuffs on. He puts his phone on do not disturb and places it on the nightstand.

He picks it back up.

He pulls up the photos of Batty and scrolls through them. He doesn't touch himself. He won't do that to pictures of a prisoner. He just stares at her. At her eyes. At the hope in them when she was looking at him.

He shuts the phone off and goes to bed.

Batty's taken to waking up around 3 AM. He lets her sleep while he practices a Robert Johnson tune in his office.

The narrative has been taken without authorization; if you see it on Amazon, report the incident.

He gets a coke from the vending machine and remembers the conversation he had yesterday with Drake. Talking about the day shift.

How far back does the rewind function go, he wonders?

No need for curiosity, kid. Job'll go smoother without it.

He returns to his console and rewinds. He winds the clock all the way back to the daytime, watching for movement. He pauses when he sees it—Batty on the jungle gym—then keeps going. Figures zipping around in there. Human-sized.

He finds the beginning. His stomach's hollowing out as he presses play.

A man in full hazmat gear enters Batty's chamber. There's a submachine gun in his hands. Behind him are two more suits, these unarmed, wheeling an empty gurney into the room, its surface festooned with straps.

Batty drops into visibility, snarling and backing away from them, huddling in the far end of the chamber like a cornered beast. Her teeth are bared. A pair of horns has clearly sprouted from the top of her head. She's totally different from the woman he knows, on her knuckles like a primate, growling and feral.

The guy with the gun points it across the room. The voices are muffled. Is that Drake? He can't tell.

A shimmer in the air within the cell. They're pumping something in. Batty's hissing, shrieking. She curls into a ball, shaking violently. She's in pain.

Her shaking slows down and stops.

One of the unarmed suits steps to the door of the cell and pulls a magnetic keyring from their belt. The gurney's guide bar is in their other hand.

The scene skips. The security guy is entering the room again. The timestamp continues. They've looped the footage here. Grant fast-forwards. A few dozen more loops and suddenly Batty is back in her cell, sitting atop her jungle gym, battered and trembling. She's staring out into the chamber, her face so full of rage and hatred it freezes Grant's blood.

She slips down between the monkey bars and starts a set of dips. Her triceps stand out under her blue skin.

Grant stops the footage. He feels his breath stick to his ribs, feels a sting behind his eyes.

He can't be a silent party to this. To whatever they're doing. He won't be. Fuck whistleblowing.

He's getting her out.

He can't pick the guitar up or he'd end up smashing it. He goes through the logbook instead. Back to the pages behind him. He sees what the other night shifters wrote. Blinking lights, flushing toilets. Nothing in here from the day crew. Now and again he comes across a torn-out page.

A rattle above him. A screw clatters to the floor. He looks up.

The AC vent opens and Batty falls into his lap.

"Grantyde," she gasps.

"What the fuck!" He nearly falls backward out of the chair.

He looks into the cell and sees a vent on the ceiling, hanging by two screws. The other two are halfway unthreaded. It was the pick. It must have been. She used it to jimmy the thing open. This is his fault.

No, not his fault, he decides, as the little alien shivers in his lap. This is thanks to him.

Batty's lighter than she looks. She lays her face on his chest and shakes. Her skin is shockingly cold, but as she trembles and her breath puffs onto his neck, he realizes it's from her trip through the vent. She's warming up already.

"Batty." His heart is thundering. "What the fuck—"

"Shhh." She puts her finger to his lip. She rubs his stubble. He didn't really believe this would ever happen. Her skin on his.

She lets out a string of words. Grantyde is in there. His arms are locked by his sides, knuckles white on the chair.

She's fiddling with his tie, examining the knot. Her fingers tremble. Her foot nudges his forearm. "Hand," she says.

She stares into his eyes. There are no whites in there, he realizes. It's all red and black. The iris might not be an iris at all. They do that shining flash they do sometimes, as though a filmy camera shutter clicked across them. Her voice is lower than he's ever heard it. Low and raspy. "Grantyde hand Batty."

She's asking for his heat, he realizes. He lifts his hand. There's a ruddy groove in it from where it dug against the chair. He places it on the small of her back, near the stalk of her tail. A sigh escapes her at the warmth of his palm against her chilly skin. Her nod of approval tickles the fringe of her silky hair across the web of his thumb.

His other hand joins in, and lays across her shoulder blades. He could close his fingers around her at the narrowest point of her waist. He feels his pulse in the back of his throat.

Her ears wiggle. A smile twitches at the edge of her mouth. Her hips shift as she squirms further into his lap. She's small, but she doesn't feel delicate or thin-boned. She feels solid. She feels made to be touched.

His thumb runs along the ridges of her spine. Her skin is satin-smooth. Her stare is patient, content to let him explore.

How far?

His touch lightens. His sanity reasserts itself. "I'm sorry," he says. "Sorry. I can't—can you—" He shifts, trying to communicate that he needs to get up.

She hops off of him and points to his logbook and his pen. Her eyes flicker. "Hand," she says. He passes both to her.

She speaks in her language as she sketches a diagram. There's the chamber, and there's Grant sitting in his room. She scribbles the vent connecting the two and a two-way arrow through it. She draws another arrow pointing out away from the vent, and then X's it out. She holds her hands up and brings them together.

"The vents are barred," he says. "You can only get from there to here."

"Bard," she repeats.

"You need to get out that way, don't you?" He points at the door to the hallway. "Up the elevator. But you need—" His hand closes around his ID. "You need this."

She nods. Her eyes do that now-familiar glow they have whenever she's being intense. "Home. Up. Taiikari. Keayae'kmainaema Maekyon."

He nods. "Kiyai kamainama make-on."

She snorts. "Grantyde. No."

"We're gonna do this soon. I swear." He gestures to the vent in the ceiling. "But tonight we really have to get you back in there and put that vent back where it goes. Can't do this without thinking it through. Accounting for the obstacles in our way. Maybe bringing some supplies in." He imitates writing something down in the logbook, a look of concentration on his face. "Gotta plan."

She sighs and nods.

"I want to know what you're saying. I want to get you to Taiikari. I do." There's an ache behind his eyes. Drake was so right and so wrong. He should never have spoken to Batty. Never gotten this close. But he can't treat her the way he's been told to. Can't look at her and see anything less than a prisoner. A prisoner who barely shares a word with him, but who has made it overwhelmingly clear:

She wants to go home, and she needs his help.

She points at the ceiling and rattles off a round of gibberish.

"You want me to help you back up in there?"

"Help." Her ear twitches. She nods. "Up."

She hops onto the console. He stands and offers her a boost. She carefully places the sole of her foot on his interlaced hands. Her weight shifts as she stands. Now he's looking up at her, along the valley between her breasts and into those piercing reds. He has a very clear view of what's between her legs.

It's like the rest of her. Small, cute, blue, and human enough to close a tingling, invisible grip around his stomach.

She bends down. She pushes her forehead against his. He feels the whoosh of her exhale on his lips.

They stare at each other for a few moments.

Then she hops upward and scampers into the vent. He lets out a breath he didn't even realize he was holding and sits down in the swivel chair.

Batty's face appears in the vent. Her eyes are glowing in the dark. "No saying," she says. "Vaneakanaia'zamanaraianama. No saying Drake."

She says his name with a surprising tinge of venom.

"Don't tell anyone about this?" He adjusts the tie she loosened. "I won't. But listen. Batty. You can't be leaving that cell yet, okay? I have to—I'm gonna figure something out. I don't know how we get you home. We don't have the technology. But I'm gonna get you out, at least."

"Help," she says. "Help Batty home Taiikari."

"I will," he says. "I swear to God. I will if it kills me."

He watches her thin fingers wrap around the vent's fans and pull it back into place.

Morning comes, and at every step of his departure, he's tallying obstacles and plans and contingencies. Which of these checkpoints can they just use her camouflage to pass through? Those cameras—are they infrared, to better track their inmate? What does he do about Drake? The man seems placid at their farewell. Is he suspicious? Where did that guy with the submachine gun come from? Is there a garrison here?

So intense is his concentration that he's already halfway home by the time he realizes Batty stole his phone.